![]() ![]() Chris Thornley’s arresting image reflects this perfectly. One of the central tenets of Bret Easton Ellis’s epoch-defining American Psycho is that the vaunted American Dream is rotten to the core. Not seeing the shark is somehow more menacing – we know what Roy Scheider’s Brody is firing at. Only the brave – or foolhardy – would omit the human munching machine. When designing a poster for Jaws the temptation to include the great white shark must be irresistible. The birds are literally camped in the head of a silhouette. ![]() Thus, implanted in your mind is paranoia. Why? What? How? The questions are unending. ![]() The marauding birds in Alfred Hitchcock’s spellbinding 1963 suspense thriller are a case in point. Nothing is scarier than that which you can’t understand. And the neon-clad lights of untold identikit towns through which he must pass. All Ryan Gosling’s unnamed driver has is his car. It captures a sense of ennui majestically. That’s why we admire James White’s remix of the artwork for Nicolas Winding Refn’s modern masterpiece. As a metaphor for the crippling alienation that modernity can dole out this pretty much nails it. We've now assembled the 30 coolest offerings for you to stare lovingly at and feel free to let us know what we've missed off at the bottom.Ī man, his car and the open road. We've then spent an unreasonable amount of time gazing lovingly at them. A whole crowd of immensely talented designers have taken it upon themselves to create re-imagined posters for much-loved films. While the Internet has a lot to be embarrassed about (Rebecca Black, for example), it also has a great deal to be incredibly proud of.Īside from some of the more substantial stuff (bullying, political change etc), there's also the increase in alternative movie posters. ![]()
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